EAW JFX-100

The JFX100 (1 x 10-inch woofer) is a compact multi-use loudspeaker specifically outfitted to serve in a variety of both portable and permanent applications. The asymmetric enclosure provides typical angles needed for ceiling and wall mounting as well as for stage monitor operation. It is particularly suitable as a nearfield main loudspeaker or as a fill/delay element in larger systems, with wide angle projection making for easy audience coverage.

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Shure UA845 Antenna Distribution System

Five-Way Active Antenna Splitter and Power Distribution System for U4S, UR4S, U4D and UR4D receivers, 470-952 MHz, covers SWB frequency range, internal switching power supply.

Shure UA888 UHF Networking Interface System - Front -

Shure UA888 UHF Networking Interface System

The UA888 is a computer interface accessory that allows Shure UHF wireless microphone users to monitor and control the functions of up to 16 receivers from a remote site using an IBM compatible PC computer. Using the supplied ShureLink cable, monitoring of up to 32 channels can be achieved by connecting multiple UA888 units. The UA888 system is ideal for installed sound applications, such as theater, houses of worship, and for touring sound and audio/video rental.

Shure WL184

Shure WL 184

Models WL183, WL184 and WL185 are lavalier electret condenser mics designed for use with a wireless body-pack transmitter. Each mic has a 1.2 meter (4 ft.) cable terminated with a miniature 4-pin mini connector. Included tie clip can be rotated in 90 degree intervals for placement flexibility.
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Shure ULX-R

Shure ULX-P Wireless

Step up to ULX® Professional UHF systems (ULX-P) for professional sound installers and working musicians. Multiple system configurations provide limitless options, each with a choice of legendary Shure microphones or instrument cables.
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Shure UHF-R

Shure UHF-R Wireless

Shure UHF-R® Wireless Microphone Systems master the high pressure and extreme conditions of large-scale touring or installations environments while delivering uncompromising sound. Rock-solid engineering and unparalleled RF performance provide sound professionals with all the features and flexibility they need to tightly control up to 160 systems for the most elaborate productions. UHF-R incorporates automatic frequency selection, transmitter sync and smart menu-driven system functionality for fast, intuitive setup.  Up to 2400 selectable frequencies across an ultra-wide 60 MHz bandwidth provide superior capability to respond to unpredictable RF conditions.  Featuring Shure’s Advanced Track Tuning Filtering Technology, UHF-R delivers up to 40* simultaneously compatible systems per band without audio degradation or interference.
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Shure PSM 900

Shure PSM 900

The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button.  Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.
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Shure PSM 600

Shure PSM 600

PSM®600 continues to be recognized as the industry standard for full-featured wired and wireless in-ear systems. Rugged and reliable, they deliver superb sound for all professional broadcast, recording, touring and installed sound applications.
The PSM 600 features crystal-controlled analog operation for superior sound quality. It delivers a full frequency range and great stereo separation. Even the deepest bass notes come through loud and clear.
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Shure KSM 9

Shure KSM 9 Wireless

KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier
choice in handheld vocal microphones. KSM9 microphones are built to Shure’s exacting endurance standards, renowned worldwide and proven night after night, center stage.
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Countryman E6

Countryman E6

Delivering value, comfort, and sound quality, our E6 Omnidirectional Earset Microphone provides the same impressive performance as our E6i Omnidirectional Earset with a more rigid boom and smaller silicone pad.
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Audio Technica 5000

Audio Technica 5000 Wireless

Designed for use on professional tours, in stadiums, concert halls, houses of worship and other demanding audio environments, Audio-Technica’s dual-receiver Artist Elite® 5000 Series provides incredible audio quality and proven, critically acclaimed performance for artists, broadcasters and presenters worldwide.
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L'Acoustics SB28

L-Acoustics SB28

The SB28 enclosure is a recommended subwoofer companion for the K1, KUDO®, V-DOSC® and ARCS® systems, lowering the combined system operating range down to 25 Hz. The SB28 contains two 18’’ direct radiating LF transducers integrated into a bass-reflex tuned enclosure. The specially designed 18’’ transducers provide an exceptional cone excursion capability combined with low thermal compression even at the very highest operating levels. The bass-reflex vents feature a progressive profile allowing laminar airflow. The association of the modern components with the new vents delivers a greatly improved +5 dB peak SPL output compared to the previous standards.

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L'Acoustics SB118

L-Acoustics SB118

The L-ACOUSTICS® SB118 is a companion subwoofer for the L-ACOUSTICS MTD and XT loudspeaker lines and features a single
18-inch transducer loaded in a dual-chamber, vented bandpass configuration. With power handling capacity of 600 Wrms (2400 Wpeak) and response down to 32 Hz, the SB118 is the answer for applications requiring exceptional low end impact from a highly compact, low profile enclosure. Important design criteria in the development of the SB118 were maximum SPL output combined with  extended low frequency response from an enclosure as compact as possible. Dual-vented, bandpass loading provided the answer. The 18″ component employed in the SB118 features high power handling capacity
combined with low distortion and thermal power compression, all of which contribute to the output SPL performance while at the same time providing precise bass definition and
excellent musicality. Due to its highly compact format with minimum front baffle footprint and critically damped tuning, multiple
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L'ACOUSTICS SB218

L-Acoustics SB218

The L-ACOUSTICS® SB218 is the companion subwoofer for V-DOSC® or ARCS® and features two, front loaded 18-inch transducers loaded in an optimally-sized and tuned vented enclosure. With power handling capacity of 1100 Wrms (4400 Wpeak) and response to 25 Hz, the SB218 is ideal for applications requiring maximum low frequency extension and impact.
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NEXO GEO CD12-P

NEXO GEO CD12

When flown, up to 16x deep, GEO SUB arrays provide a sub and subwoofer system for GEO D, GEO S or GEO T, effectively crossing over as high as 300Hz. With peak SPL of 139-142dB, GEO SUB’s front-loaded 18″ transducer integrates exceptional high power handling with an extended frequency range. When stage stacked, the flexible GEO SUB deploys with GEO D10 as a cardioid subwoofer system, allowing end-users infinite scalability and system placement options, with subbass response down to 35Hz. Learn More

NEXO GEO CD18

NEXO GEO CD18

NEXO R&D has used the advanced DSP power of the digital NX242 TDcontroller to develop an extremely compact and highly efficient method for controlling the dispersion of very large acoustical waves. The CD18 uses a pair of long excursion neodymium 18″ drivers, two amplifier channels and two channels of DSP processing to generate a cardioid or super-cardioid pattern with up to -15dB of attenuation at the rear. Yet, the enclosure is no larger than is required for proper loading of the transducers. CD18’s deliver high-impact subbass energy to the audience while keeping very low frequencies away from open microphones and reflective/reverberant surfaces. The end result is a much more controlled and coherent foundation for the mix, as compared with conventional subwoofers.
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NEXO GEO S830

NEXO GEO S830

The compact GEO S830 is a high-output array module intended for horizontal tangent arrays or as a downfill element in curved (tangent) vertical arrays to establish consistent SPL in all coverage areas. The HRW™ allows the 30° S830 and 5° S805 to be coherently arrayed together. GEO S Series loudspeakers ship with 120° dispersion (in the non-coupling plane) Configurable Directivity Devices (CDD), but are field-changeable to 80° CDDs. To maximize downfill coverage, CDFs are used on GEO S830s for the bottom two rows of curved vertical arrays.
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NEXO GEO S805

NEXO GEO S805

The GEO S805 is compact, high-output array module designed for use in vertical tangent arrays. The Hyperboloid Reflective Wavesource allows multiple GEO S8 loudspeakers to radiate tangent wavefronts with coherent output. The 5° wavesource is optimized for the construction of curved vertical arrays that deliver equal power to equal coverage areas for consistent SPL from front to rear of the audience area. Advanced DSP algorithms, applied by the NXAMP/NX242 TDcontroller, precisely integrate GEO S systems with CD12 SubBass cabinets, so they may be flown together, without causing any interference
between the GEO S and CD12 wavefronts.
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L'Acoustics ARCS

L-Acoustics ARCS

The ARCS® Sound Reinforcement System  
Requirements for smaller array configurations and shorter throw distances – but with the same quality  standards as set by V-DOSC – led to the design of ARCS. Since ARCS generates a modular, curved  wavefront, ARCS stands for “Arrayable Radial Coherent System”. While V-DOSC uses variable  curvature arrays to perform wavefront sculpture in the vertical plane, ARCS operates in the horizontal  (or vertical) plane and generates a modular, constant curvature wavefront with a radius of wavefront  curvature corresponding to 1.15 meters.
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Meyer UPM-1

Meyer UPM-1

Designed for sound reinforcement applications requiring minimum size, the UPM-1 delivers high sound pressure levels with very low distortion and extremely even coverage in both axes. Suitable for a wide range of applica-tions from music playback and delay fill systems to stage monitoring, the UPM-1 features outstanding low-frequency performance in an unusually compact package. Its ultraflat frequency response simplifies room equalization requirements and ensures high gain-before-feedback. The loudspeaker consists of two 5-inch low-frequency cone drivers in a vented enclosure, and a 2 x 5-inch horn-loaded
piezoelectric high-frequency driver with passive crossover.
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Meyer HP 650

Meyer HP 650 Sub

The Meyer Sound 650-P is a high-powered subwoofer for sound reinforcement applications. The 650-P provides extended low-frequency power bandwidth, handling high continuous operating levels and extreme transient information with minimal distortion and response extending to 28 Hz. The 650-P houses two Meyer Sound long-excursion 18-inch drivers in a tuned, vented cabinet. An integral two-channel class AB/H amplifier with complementary power MOSFET output stages supplies total peak output of 1240 watts (620 watts/channel).

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JBL EON 15

JBL EON 15

The flagship in JBL’s Eon line, the JBL Eon15 G2 Powered Cabinet pumps 300W to a 15″ neodymium Differential Drive LF driver. The HF amp delivers 100W to a 1.75″ titanium diaphragm compression driver with ferrofluid cooling. Eon’s input section allows both mic and line level inputs. In addition, the new Loop/Mix output allows you to daisy-chain Eon speakers or send signal directly to the main PA. 17″W x 27″H x 17-1/2″D. 46 lbs.

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JBL EON 10

JBL EON 10

With hefty power, superior fidelity, and a 3-input mini-mixer, the JBL EON10 G2 Speaker Cabinet is a rugged and capable performer in small PA and AV applications and sound systems.
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NEXO-PS15-R2

NEXO PS15-R2

A high power system capable of producing 136dB Peak SPL, the new PS15-R2 Loudspeaker can be safely driven with up to 2000 Watts of amplifier power. Controlled by the new, dedicated PS 15 TDController- R2, or the NXAMP Powered Controller, the PS15-R2 achieves high SPLs and wide bandwidth performance, despite being only half the weight and volume of common trapezoidal loudspeaker systems.  Along with the flexible coverage patterns enabled by NEXO’s proprietary constant directivity
asymmetrical dispersion horn, the architecture and weight balance of the PS15-R2 are designed to provide both uncompromised PA and stage monitor performance from a single speaker. Left and Right versions of the PS15-R2 have been developed to provide a true stereo image – particularly important for wedge applications.
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L'Acoustics 115XT HiQ

L-Acoustics 115XT HiQ

The 115XT HiQ is the high-end model within the L-ACOUSTICS® XT coaxial series, designed for stage monitor and distributed FOH applications. It operates as an active 2-way enclosure, over a frequency bandwidth from 50 Hz to 20 kHz which can be lowered to 32 Hz with the addition of the SB18 subwoofer.
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Shure SM81

Shure SM81

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.
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Shure SM58

Shure SM58

The legendary Shure SM58® vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath “pop” noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
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Shure SM 57

Shure SM57

The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording.
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Shure KSM32

Shure KSM32

An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
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Shure BETA91

Shure BETA 91A

The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely
high sound pressure levels (SPL).
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Shure BETA52

Shure BETA 52A

The Shure Beta 52®A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “punch”, and delivers studio quality sound even at extremely high sound pressure levels.
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Shure BETA58

Shure BETA 58A

The Shure Beta 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide.
The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
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Sennheiser MD421

Sennheiser MD 421

The MD 421 has been one of Sennheiser’s most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421’s full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you’ll know why it’s a classic.
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L'Acoustics LA48a

L-Acoustics LA48

The LA 48 is a compact, light-weight power amplifier (2 rack units high, 10 kg) designed for high performance touring and fixed installation. Primarily intended for powering V-DOSC and SB218 subwoofers, the LA 48 is capable of providing up to 2200 watts per channel into 2 ohms. The LA 48 can also be configured to match the power delivered to a wide range of impedance loads using Minimum Load Select (MLS) switches, allowing the amplifier to be customized to suit a variety of L-ACOUSTICS loudspeaker models and applications.

L'Acoustics LA24a

L-Acoustics LA24a

The LA24a is a compact, light-weight power amplifier (2 rack units high, 10 kg) designed for high performance touring and fixed installation. Capable of delivering over 1700 watts per channel into 2 ohms, the LA24a can also be configured to match the power delivered to a wide range of impedance loads using Minimum Load Select (MLS) switches. MLS flexibility allows the LA24a to be customized to suit a variety of L-ACOUSTICS loudspeaker models and applications.

L'Acoustics LA8

L-Acoustics LA8

Following the successful introduction of the LA-AES3 card and LA-PANEL AES3 in 2010, LA8 amplified controller and the L-ACOUSTICS K standard are evolving and will support AES/EBU digital audio as a standard feature.  This change on LA8 and LA-RAK series will be effective on May 1st, 2011 LA-AES3 offers one AES/EBU stereo input and one AES/EBU thru port (link) to interconnect LA4 and LA8 to any digital mixing desk or any audio distribution network, while maintaining a fully digital signal path.
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A & H GL2200-32

A & H Mix Wizard GL2200 32

We built GL2200 to be a ‘go anywhere, do anything’ desk. With its sturdy vertical PCB construction, dual front-of-house / monitor mixing mode switching, 4 groups, 6 switchable auxes, direct outs, line-up oscillator, talkback and more, this console can handle pretty much any live mixing or recording task you can throw at it.
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Mackie 1604 VLZ Pro

Mackie 1604 VLZ PRO

The 1604-VLZ PRO is the latest update of our CR1604-VLZ, incorporating our new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design on the market and maximum freedom from ground loops.
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Mackie 1402 VLZ Pro

Mackie 1402 VLZ PRO

Mackie’s 1402-VLZ PRO combines the compact size of the 1202-VLZ PRO with added features and 60mm log-taper faders. Its six new “audiophile” XDR™ Extended Dynamic Range mic preamps offer the best RFI rejection of any compact mixer design. Added benefits include maximum freedom from ground loops and impeccable sonic performance that meets or exceeds the specs of esoteric, outboard mic preamplifiers. The XDR design is the only compact mixer mic preamp that is totally impedance independent: frequency response does not change even with extremely long cable runs or exceptionally
high-impedance mic inputs.
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Mackie 1202 VLZ Pro

Mackie 1202 VLZ PRO

The 1202-VLZ PRO is the updated, upgraded version of Mackie’s classic 12-channel compact mic/linemixer. The unit incorporates Mackie’s new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design. Added benefi ts include maximum freedom from ground loops and impeccable sonic performance that meets or exceeds the specs of esoteric, outboard mic preamplifiers. The XDR design is the only compact mixer mic preamp that is totally
impedance independent: frequency response does not change even with extremely long cable runs orexceptionally high-impedance mic inputs.
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Yamaha PM3500

Yamaha PM 3500 Console

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Yamaha M7CL

Yamaha M7CL Console

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the “Centralogic™” control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.  The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
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Midas Venice 320

MIDAS Venice 320 Console

Venice is Midas’ first truly compact console, built in direct response to customer demand. It does exactly what was asked, in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts that need to mix their own FOH and monitor sound from on stage and is compact and light enough to fit on even the most cramped performance area. As usual, Midas has paid attention to the details that set their consoles apart, taking care to provide high quality mic preamps and a stable, responsive EQ section, just as Midas do on the larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
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Midas Verona 56

MIDAS Verona Console

The Verona takes the concept of the original ultra-compact Venice, MIDAS’ best selling console of all time, and elevates it to the next level. Verona delivers more inputs, more features, along with legendary MIDAS quality in a package that revolutionized the 8 buss market.  Visually, the console looks stunning; despite it’s physically modest proportions, it feels like a full-sized MIDAS to work on; and of course, most importantly of all, it sounds as good as it looks.

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Midas Heritage 4000-48

MIDAS Heritage 4000

The Midas Heritage 4000 is an evolution of the award winning Heritage 3000 with an additional 16 more busses, which has resulted in what many would regard as the ultimate stage monitor console. As monitor applications have become more demanding, specifically with the increased usage of in-ear systems, it is now common to see multiple consoles bussed together, in order to achieve the required amount of outputs. The Heritage 4000 allows an engineer to run up to 40 mixes (plus stereo masters) from
a single console, benefiting from the world-renown Heritage buss flexibility, and ‘road proven’ digital assistance.
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Yamaha PM5D RH

Yamaha PM5D RH Console

Since it’s release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today’s live sound scene as well.
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AVID Stage Rack 48 X 24

AVID Stage Rack

VENUE Stage Rack serves as a remote I/O component of the VENUE live sound system for stage connections. Working in conjunction with VENUE FOH Rack, Stage Rack can be expanded to house a variety of analog and digital inputs and outputs for mic and line-level connections, which are delivered via a 75 Ohm BNC digital snake connection to the DSP Mix Engine cards housed in the FOH Rack. Up to two Stage Racks can be used simultaneously with a VENUE D-Show® or VENUE Profile™ system to handle
large-scale stage productions — up to 96 total mic/line inputs and outputs.
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AVID FOH Rack

AVID FOH Rack

FOH Rack serves as the central processing component of the VENUE live sound system. Generally positioned near the console, FOH Rack houses an embedded control computer and DSP Mix Engine cards, with room for additional hardware option cards, providing connectivity for local inserts and outboard devices. FOH Rack is compatible with VENUE D-Show and VENUE Profile consoles, works in conjunction with Stage Rack for remote stage connections, employs VENUE D-Show® software as its graphical user interface, and enables full Pro Tools integration with optional interface cards.
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AVID VENUE Profile

AVID VENUE Profile

VENUE live sound systems are comprised of high-quality components that work together to deliver studio-grade sound, powerful performance, and complete ease of use, with maximum flexibility. The VENUE Profile System is based around the VENUE Profile console and employs a VENUE FOH Rack and Stage Rack processing and I/O system. This system offers great I/O expandability and a compact console, providing maximum power in a smaller footprint.
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Shure: Model Beta 91A Wired Microphones

The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connection for easy setup and minimal stage clutter. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPLs).